 Agata's Fashion Show
 Walking to work
 R.F.H. 2003
 I am a cell mobile phobic
 Windows
 Doors
 Signs  Graffiti? Art ?
 French bits
 Family outing
An accident
 Minerva II in London
 My first camera  Street argument  Child alone  Panda
 Ascot by the room  Kingsbury walkers
 Time wasters
 Ruby silent  All London Councils  Kingsbury fair
 Mexican Diva
 Lodge Fete
 Auction - Preston Pub
 Girl and the Chair
 Help and me me me |
WHAT'S OLD?
Note my individual participation at the begining of the year in the CLIMATE of CHANGE exhibition
DESTINY BUILDING SITE (love and environment) - the project sent to the TATE GALLERY
It is also a statement about censorship
 | THE OVARY (Acrylic on canvas 40x40cm) This work became a birthday gift for a very close friend. She knew how it was
created. Itried my best but the roughness of the canvas did not allow me to
paint her face as intended. During a week with flu with rare moments of lucidity I used a small canvas to
test some techniques. When I decided to give it a final form 'The Ovary' came
to fore.
It states the woman as the guardian of her own eggs. Whatever she does in life, having a carrier, far from the Earth with none, one
or two children, or having to survive, near the Earth, with as many as she can
give
born, many to compensate the ones that will die during her lifetime, 'The
Ovary' or the ovaries are the containers of human life. |
Kaleidoscope Destiny is one of the works, for theDestiny Building SiteThere also is an installation called
'Destiny'
that is based on the portrait of Rosa Stephen, that was
reproduced 4 times, merged and changed digitally.The composition plays with the effects of seeing the same painting as an image
rotating from an old kaleidoscopic, an old children's first magic wonder!
| |
 | In progress...
Click the small image to see how the 'The Gates of Living Hell' (not Dante's
Portes d'Enfer) took its present form... so far

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| Jutta's portrait, titled "Hope and Freedom", is a painting in acrylic on canvas
36"x36" or around 90cmx90cm and it is an example of the muse-exaltation behind
the scene. Passion brings inspiration and this reflects in the proportions of the figure,
more a distinction of her personality than a try to be exact. The face was
painted while the paint was wet and with a minimum effort. The eyes and the
movement of the mouth, the shadows were done very fast without layers, so it is
very difficult to reproduce it or imitate it. Jutta's assurance in the style of
her blue face was achieved when this my friend showed the portrait to her two
sons without saying who was the person portrayed. Both asked her, "Mum, who
painted you?" Her courage and passion for a new life are also reflected in many of the poems
(Still an e-book for now), including "My Muse Died This Morning", emotionally a
rite of passage, and the origin of the title "My Muse Died Today". | |
| "The Times Art Capsule" (more photos about ...)is an installation which has this painting in acrylic on canvas 36x36 inches or
around 90x90cm as the main component. The title "On the 20-10-2005 I read the newspaper and the supplements
my way" reflects the general idea. It was to be an exercise on painting and colours
but, as soon as I started getting a wall of silence around me (when I wrote to
the Syndicate of the corporation about copyrights), I transformed it into a
personal fight. It became a Time Capsule involving the present era, when many
people
are/were obsessed with mementos, celebrity, and populism, prizes and titles for
the wrong/right age and time, etc. I wasted a long time asking for the rights to copy the faces in the newspaper.
Hopefully, publishing this photo will not make them vocal.
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| e-book MY MUSE DIED TODAYa journey of love and freedom a bumpy story of a child a story of homelessness Pages
1 to 10

11 to 20

21 to 30

31 to 40

41 to 50

51 to 60

61 to 70 
71 to ... 
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