To see more: Use F11 to toggle to or from full screen, then click the DESTINY CUBE (on the left) to return to this MENU.

An artist's love is not enough to create icons like 'Mona Lisa' or a 'Taj Mahal'. Any exhibition is ephemera as it can be. To turn FADO DESTINYinto an icon, my Mona Lisa, my Taj Mahal, a work of art forever, because it already is, mainly because of the ever challenging feelings that creates, the ephemeral exhibition has to be recreated thousands of times during thousands of years, in thousands of different places.

I follow whoever says to AIM HIGH . So, this is my deepest love wish; the homage to the great love of my life.

DESTINY BUILDING SITE - THE PROJECT SENT TO THE TATE MODERN

The small print for all galleries and exhibitions in the world If you are an institution that agrees flexibility around the terms I wrote in the cover letter to the Tate Modern please do contact me, clicking my heart. jfR About censorship My videos

01 - The cover letter to the TATE MODERN 02 - The Project Destiny Building Site 03 - Introduction to Destiny Building Site 04 - Destiny, The Installation 1 05 - Fado Destiny and Destiny, The Installation 06 - The Kaleidoscope Destiny 07 - Aiming High Description - The Scaffolding 08 - The Inner Patio and Tunnel 09 - Details of the patio 10 - Details of the tunnel 11 - Lights 12 - Hard, Origami Hats: The public participation 13 - Hard and Origami Hats- Details

14 - Plastic Bins - The environmental issue 15 - Bins - 50 metres in Pinner Road 16 - Plastic Bins - Detail of the Layout 17 - Video Cameras and Monitors 18 - Sounds 19 - Plants 20 - Project B - From a Room to the Stars 1 21 - Project C - From a Room to the Stars 2 22 - The builder of souls with a hard hat 23 - St Martin's in the Fields building site 24 - The industrial canvas: Example for Destiny 25 - The big poster. For The Kaleidoscope Destiny 26 - Moulding the exhibition